Movie Critique - “Fireworks, Should We See It from the Side or the Bottom”

"Fireworks, Should We See It from the Side or the Bottom?" Is a 1993 Japanese short film, directed by Shinji Somai and adapted from a short story by Shunji Iwai, is an exploration of multifaceted themes such as time, memory, and the consequences of our actions.

Of particular note is the film's realistic portrayal of teenage life in Japan. The anxieties and uncertainties of adolescence, as well as the complexities of relationships between friends and family members, are astutely observed and relatable. The young cast delivers excellent performances, further contributing to the film's emotional impact and authenticity.

Somai's visual style is also commendable. The use of handheld cameras and natural lighting creates a documentary-like feel, effectively enhancing the film's realism. The film's soundscape, notably the crackling of the fireworks, creates an immersive sensory experience for the viewer.

The film's central plot device - a box of fireworks with the power to manipulate time - adds intrigue and unpredictability to the story. The consequences of altering the past are examined with nuance and depth, as the characters grapple with the ethical implications of their actions. The narrative's twists and turns keep the audience engaged and guessing until the very end.